Welcome to our first “lick of the week” feature, where we’ll use basic ideas to build up to a cool passage of roughly 8 bars in length, that you can then use to impress your neighbors and scare away wild animals.
Our first LotW is an idea that sounds more complex than it is, and it can be played by just about any level of ability. It involves using an open string as a pedal point, with the 1st and 4th fingers forming movable triads around that point.
One of the first “cool licks” that a lot of players learn is the open string pull-off triplet. It’s a staple of many early rock guitar solos, because it’s easy to do and it sounds good. The tab excerpt below shows this in both pull-off and hammer-on form:
As you can see, if your 1-4 fingering is at the 5th position on the E string, you have an A note at the 5th fret, and a C note at the 8th fret. So the A-C-E grouping forms an A minor triad (R-b3-5). In the 4th position you have G# and B at the 4th and 7th frets respectively; G#-B-E is an inverted E major triad.
(Theory note: G#-B-E also spells out G#m6 (R-b3-6), but especially when paired with an Am triad, it resolves more as an E harmonically. It also depends on the key that the triad is being played over. But by themselves, the triads spell out Am-E. As always, it’s more important that it sounds smooth and clean, than to worry about the theory behind it.)
If we played the above triad forms on the B string instead of the E string, the two triads would spell out E-G-B (E minor) and D#-F#-B (B major inversion); on the G string they would be C-Eb-G (C minor) and B-D-G (G major inv.). Again, just listen to how the first triad on each open string resolves into the second one. Pretty cool melodic tension there.
Let’s try a simple four-on-the-floor variation, on the open B string, shown below. This one sounds somewhat like the opening riff of the AC/DC classic Thunderstruck. Even though every other note here is an open-string pull-off, be sure to maintain alternate picking for the picked notes throughout: