Single String Thing

In past posts, we’ve concentrated on a variety of ways to play scales, but generally on forms and patterns that use most or all of the strings. Those tend to be the most efficient as far as maximizing fretboard navigation goes, and there are lots of cool sequencing patterns that can be developed from those scale forms.

But single-string scales are pretty cool too, and in fact have benefits as well for navigation, and for developing cool sequencing patterns. It’s just about impossible to know too many different ways to play a particular scale.

As always, we’ll use our trusty A minor (C major) pattern, since there are no sharps or flats. Here’s the scale played along the high E string:
Spelled intervallically:

Check the tab below, and play the scale ascending and descending, using the suggested fingering:


It’s possible to play as many as four notes along the string before needing to shift position, but it is highly recommended to play no more than three notes before shifting, especially at first. It’s easier to maintain control moving up and down the neck, and the shifts are shorter in distance.

This is a great single-string scale exercise to reinforce that principle.


Here’s the same exercise in groups of four, the “three against four” rhythm always sounds cool!


Now let’s map the same scale along the B string:

Don’t worry about starting or ending on the root as you play through the scale patterns, just play as many of the notes of the scale as you can along a given string.

Moving along to the G string:

Using the Fretboard Maps PDF from the Resources page, map out the scale on the other strings (really just the D and A strings, since of course the pattern on the low E is the same as the one on the high E), and play them all. In the next post, we’ll go over some cool sequencing patterns, stay tuned!

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