Let’s take a look at some more melodic phrases and patterns from the pentatonic minor scale. These are based on the first two of the five A minor boxes, and you should definitely work the patterns across all the boxes, on all strings, in as many keys as you can think of. Check out the Pentatonic cheat sheet from the Resources page for reference on all five boxes (in A minor).
The first two boxes, with the b5 note (blues scale):
The first pattern is a classic 2-finger, 2-string riff, fretted with just the index and pinky fingers. Check out the tab below:
Try out both picking suggestions, straight down-up alternate picking and with some legato thrown in, for a smoother sound.
For even more legato, try the variation below:
As always with legato, try to keep a smooth, even tone and consistent volume for all the notes in the phrase. The picking directions are suggestions; if another way works better for you, stick with that.
Here’s another cool 2-string phrase, which might be easier to play at higher speeds; again trying alternate picking and legato variations:
This is a good phrase to get maximum legato with:
Two-finger phrases are ideal, since they’re easy to play fast, and simple to move around the fretboard. This repeating sequence is based in the middle of the first box, and incorporates the flatted fifth “blue note” (Eb):
Phrases with 3 and 6 notes sound really cool played in groups of four. Try the above phrase as a quick four-on-the-floor sequence:
Now try it an octave higher, which puts the phrase on the B and high E strings, and moves up to the 2nd pentatonic box:
Melodic sequences are fun to play and sound cool when played at a fast tempo, but it’s important to apply parts of those sequences into actual melodic phrases that really sing in a solo. Check out the tab below, which throws in some nice chromatic phrasing with the sequence, ending up in the first pentatonic box:
The final lick has more chromatic notes thrown in the mix than the previous example, and again moves from the second box to the first. Dig in on the closing notes for added emphasis.
It’s great to have an arsenal of licks that use multiple positions, and navigate around the neck. Again, refer to the cheat sheet on the Resources page, and work through all five boxes, and come up with phrases of your own that weave through two, three, or all five boxes.