In looking at 3-note-per-string (aka “3N/S”) scale patterns we’ve touched on blues and major scales. Let’s take a look at the natural minor scale next. We’ll use the A minor scale, since it’s all natural notes (no sharps or flats), and the A minor scale is the relative minor of the C major scale. (Conversely, C major is the relative major of A minor.)
Here is the scale, spelled out in notes and then in intervals:
To add a little bit to the reference to modes from last time, since we know that a mode is a scale starting from a given tone, and there are seven tones in a major scale, then there must be seven modes, right? This is where that “relative minor/major” idea comes in; if you count through the respective scales, you can see that the minor scale is the 6th (or Aeolian) mode of the major scale, which is A.
Here’s the tab and .wav file for the A minor scale:
You’ll have to shift a little bit moving from the G to B and B to E strings, but it shouldn’t be too difficult. Check out the Modes cheat sheet on the Resources page for diagrams that are useful for visualization.
Here’s a cool melodic sequence to use on 3N/S scale patterns. It ascends through the scale pattern with a four-note sequence that goes (numbers indicate scale steps) 1-2-3-1, 2-3-4-2, 3-4-5-3, etc. Descending the pattern goes in reverse, 3-2-1-3.
Take it slow, use alternate picking (starting with a downstroke) and a metronome, and pay attention to those shifts on the upper strings. Use the .wav files for reference:
Stay tuned, there’s another 3N/S pattern to cover, as well as more melodic sequences to use, and we’ll also be covering some ideas to improve your acoustic fingerstyle playing!