Let’s continue our series on 3-note-per-string (referred to here as “3N/S”) by looking at the major scale. We’ll revisit the C Major scale, since it is comprised solely of natural notes (no sharps or flats). Check out the diagrams below, showing the scale spelled out in notes and then in intervals:
Notice that these aren’t “root-to-root” scales encompassing multiple full octaves, they are two octaves and a perfect fourth, roughly 2½ octaves. This is simply to make the most out of the position being played in, as there are only a couple of minor shifts involved.
For people who aren’t familiar with the concept of modes, there’s no time like the present to bring it up. A mode is just a scale sequence that starts from a given note in the scale. So if you start from C (the root), that’s the C Ionian mode (as well as the C Major scale). If you go from D to D’ (one octave up), that is called D Dorian. E to E’ is E Phrygian, and so on. The positions can be (and are) extrapolated along the neck.
We’ll go over modes in depth in a future series, in the meantime, check out the Modes cheat sheet on the Resources page for a quick overview. Modes are an incredibly useful tool in developing a melodic and truly musical style.
Check the tab and .wav file below. As always, use alternate picking (starting with a downstroke) and use a metronome. Notice that the sequence comes back down through the scale in the next position, which again would be the D Dorian mode:
The strength of playing scales this way is that they are useful in a huge variety of melodic sequencing patterns, The sequence shown below is a great example of what can be done, it ascends four notes at a time through the scale. Try both ascending and descending, and listen to the accompanying .wav files for reference:
Work it around in as many positions as you can think of, keeping in mind where the root note is located. We’ll review another scale and cool melodic sequence soon.